During the ‘90s, the influence of “Mexicanovelas” on Filipino “teleseryes” was evident. The two cultures, both sharing historical and cultural similarities, often depicted the classic protagonist: a poor or oppressed woman who endures endless hardships and abuse at the hands of wealthy antagonists. In this narrative, her eventual fight back near the climax of the story not only reinforces her resilience but also cements the Filipino interpretation of strength and perseverance.
The Feminism of Shancai
The formula of classic “Mexicanovelas” is straightforward: a poor woman finds solace in the arms of a rich guy who eventually rescues her from her misfortunes — a modern-day fairytale that often leaves the protagonist dependent on male validation. Shancai defies this trope. Just like many Filipinas, she is independent. Her survival does not hinge on a man’s intervention; even in romance, she maintains control over her emotions and her expectations of how she should be treated.
In doing so, Shancai’s character sends a powerful message to her Filipina audience: she proves that it’s possible to defy the “damsel in distress” archetype and build a life on one’s own terms. This challenges the damaging stereotype — often encapsulated by the term “AFAMs” (from “A Foreigner Assigned to Manila”) — which implies that Filipinas must rely on relationships with affluent foreign men as a shortcut out of poverty.
However, I personally see Filipinas who choose to date “AFAMs” not as women seeking an escape, but as individuals exercising their agency. While the financial dynamics of such relationships are undeniable, focusing solely on that aspect ignores the woman's active role in choosing her partner and her life path. Just as Shancai makes deliberate choices about her future, these women are making choices about their relationships, and that act of choosing is itself a form of empowerment. It's about recognizing that even within the context of differing financial resources, Filipinas are not passive recipients; they are active agents in their own lives.
Anti-Establishment Undertones
Shancai’s character is not only feminist but also deeply anti-establishment. In a setting where wealth and privilege create rigid social hierarchies, her presence as a poor girl in an elite school challenges the status quo. She confronts and fights against the bullying and marginalization that are often seen as inevitable for someone of her background.
She disrupts the conventional narrative that equates poverty with vulnerability and victimhood. Instead, Shancai becomes a symbol of resistance, a reminder that standing up against systemic oppression is not only possible but necessary. Her defiant spirit questions and rejects an elitist system that has long dictated who gets to be seen and heard.
Cultural Impact and Legacy
More than two decades have passed since “Meteor Garden” first captivated Filipino audiences. In the wake of Barbie Hsu’s passing, many are reflecting on why a Taiwanese drama became such a phenomenal hit in a country once dominated by “Mexicanovelas.” Was it the perfect dubbing by ABS-CBN? The charisma of F4, led by Daoming Si (Jerry Yan)? Or was it Hsu’s compelling portrayal of Shancai, a character who was so tenacious and unyielding that she carved a space for herself in a world not built for her?
While it is likely a combination of these factors, for many, the essence of Shancai’s appeal lies in her distinctly Filipino qualities. She resonated deeply with audiences because she embodied a spirit of feminist independence and anti-establishment rebellion, traits that empowered many Filipinas to feel seen, heard, and validated. Shancai made it clear: you have a choice, and you should be brave enough to claim it.
A Taiwanese character inspired us Filipinos to be independent individuals. I hope the country she came from also inspires us to value being an independent nation, standing firm and unyielding, much like how Shancai bravely faced the bullies in Meteor Garden.
Rest in peace, Barbie Hsu.