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Thousands of synchronized LED concert wristbands making history and forming the ABS-CBN colors at BINI’s spectacular #BINIfied show. WALPHS.com |
BINI, arguably ABS-CBN’s most potent contribution to global pop culture in recent memory, closed out 2025 with a spectacle. They packed the Philippine Arena and utterly transformed it into a roaring celebration of Filipino pop at full, formidable force.
The “BINIfied” year-end party confirmed BINI’s surging popularity, but more importantly, it announced that the group is now dictating the direction of local pop, not merely keeping pace with it.
Filipinos famously reserve the term “pang-international” for an excellent performance, suggesting the ultimate measure of success must resemble something outside the country. But Saturday’s show brutally challenged that reflex.
Nothing about BINI’s performance felt like a calculated effort to measure up to global benchmarks. Instead, it boldly showcased how sky-high the local standard already is. In countless moments, the only fitting praise wasn’t “pang-international” at all. It was the supreme, confident energy of something proudly, undeniably Filipino.
The concert ignited with a laser-heavy sequence that immediately plunged into a demanding almost-half-an-hour medley. This grueling opening was clearly intended to set an uncompromising tone, and the group executed it with punishing precision.
The solo stages offered the most candid glimpses into the members’ artistry. Several delivered intense, technically demanding choreography, while some of the night’s most memorable moments included Jhoanna’s striking motorcycle entrance and Colet commanding the drum kit. Crucially, each segment reflected the members’ own creative choices, from the arrangement right down to the camera blocking, showing just how comfortable they have become in seizing control of their own narratives.
Late in the show, the group returned to the stage to perform a highly anticipated set from their latest album, “FLAMES,” featuring a complex aerial staging for “Paruparo.” It was then that tension cut through the polished production.
During the number, the butterfly-shaped prop carrying Colet and Sheena lurched sharply. Gasps rippled through the crowd, and urgent shouts of “Ibaba! Ibaba!” (“Lower it! Lower it!”) filled the arena. It was a literal showstopping moment.
The two girls clung to each other and the rig, faces tight with panic. Above them, Jhoanna’s worry was unmistakable, and Mikha instinctively reached out to steady her. Gwen, despite her fear of heights, pushed through and kept her balance. Every movement carried the weight of the ultimate “the show must go on.” When their feet finally hit solid ground, the arena exploded, part relief, part awe, as fans cheered for the group’s grit and composure under pressure.
The Philippine Arena, at the close of the “FLAMES” performance, became ground zero for the new Filipino pop era. “BINIfied” was so transcendent that the usual “international-level” praise felt unnecessary. We are world-class. We know it. The world knows it.
BINI’s achievement lies in proving that Filipino pop can set its own standard without reference to foreign benchmarks. “BINIfied” orchestrated a paradigm shift, combining spectacular production with moments that embodied the ultimate “show must go on,” including near-mishaps turned into showstopping triumphs.
“Support local” no longer feels like a slogan. It is now a recognition of the high level of showmanship Filipino artists have long maintained. It has become a benchmark, and BINI set it from the Filipino stage while raising the bar for what local music can achieve.